Category Archives: Community Events & News

StreetSounds festival hits the streets of Geelong with aplomb!

Sun shone through grey clouds gathered low over Pakington Street in Geelong West last Saturday morning, jostling to catch a glimpse of the gloriously coloured community musicians gathering in readiness on the grass below to play in the StreetSounds Festival parade and fiesta. The previous evening these same musicians had made their way to Geelong to bring the StreetSounds project to Geelong After Dark, illuminating the darkness with beats, riffs, fat sounds, fairy lights and high vis vests.

The StreetSounds project has been lead by Community Music Victoria since 2015, with funding from R E Ross Trust and Helen Macpherson Smith Trust. Over the past two years, street bands have popped up in Kyneton, Bellbrae and Inverloch; Morwell, Dunolly, and Footscray; Sunshine, Windsor and Melton, all kindled and supported with encouragement, advice and input from StreetSounds project manager, Lyndal Chambers.

Each of the bands is open to anyone and experience, skill levels and age are no barrier to joining in. What’s key is the desire to have fun and connect through making music together in a way that is mobile and can be taken out to the streets and delivered to the broader community for everyone to enjoy. Playing loud music and wearing loud clothes present people with an opportunity to escape the mundanities and worries of life once in a while, whilst making new friends and strengthening local networks: what’s not to love?

Many amazing moments have come to light as the StreetSounds project has unfolded. Horns have been dusted down, flutes and recorders have emerged from packing boxes, marimbas have been built and washboards assembled. There are several families now involved across the project: Amy plays in the Fabulous Meltones together with her three kids and her father.  In the Prahran Accordion Band, Hans has dreamed of being able to play the accordion since childhood.  And for everyone, making music in a band where there are no wrong notes adds a dimension to life, hard to beat.

The element of inclusion which has underpinned the StreetSounds project since its inception was evident at the Festival and in this safe space the crowd brimmed with palpable pride, enjoying the energy and enthusiasm generated by merging and becoming part of a bigger picture. A static crackle of excitement sparkled and sparked through the throng and across West Park on Saturday, exploding into a massed rendition of ‘Caderas’ and Shane Howard’s ‘Talk of the Town’, two common tunes learnt and rehearsed by the bands to play together at that very point.

A pop-up off-shoot of the non-conventional street band ‘Our Community Sounds’ ran an open improvisation workshop in the Park’s rotunda, drawing in members from all of the bands and encouraging them to experiment spontaneously with sound. ‘Our Community Sounds’, facilitated on Saturday by Conor O’Hanlon, shares the same philosophy as the other street bands – one of removing barriers to participation in music making but the delivery is in the form of spontaneous participatory events rather than performances.

“I realised what a unique thing we were all doing – not a Jazz Festival, not a Folk Festival, not a Brass Band Festival, not a Music Camp .. something that’s inclusive of a diversity of skill level, instrumentation and cultures.” Lyndal Chambers, StreetSounds project manager

The clouds could only contain their excitement for so long, and as the rain finally fell, the StreetSounds mob and their homemade banners moved into the hall at West Park where they played short sets all afternoon, joined by the Zamponistas, Havana Palava, Doowlla of Drum Connection and Geelong’s Tate Primary School marimba band, the Marimbataters.

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Darth Vader takes to the streets as part of Kyneton Street Band
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Percussionist Steve Schultz & his son drumming up a storm with Invy Horn Jam
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Jane Coker, chair of the CMVic board of management giving cues during the massed play
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Members of Havana Palava meet members of the Sunshine Street Band, Boomulele, & the Fabulous Meltones. Other players from other bands joined in amongst the crowd for a fantastic finale!

Click the  links below to see two glorious photo stories of the event, by Dr Laura Brearley:

1: GEELONG AFTER DARK

2: STREETSOUNDS FESTIVAL

And there are oodles more photos of everyone to see on the StreetSounds Facebook page!

Written by Deb Carveth, online editor for Community Music Victoria

Further reading:

Our Community Sounds: an exciting new improv project

MELTIN’ DOWN AGE BARRIERS IN MELTON: THE INTERGENERATIONAL STREET BAND SUPPORTING FAMILY MUSIC MAKING.

Dreams Come True at Prahran Accordion Band

**To find out about joining a StreetSounds group near you, contact Community Music Victoria or jump on the website, www.cmvic.org.au

There’s no place like Tecoma: A new peace choir celebrates the positive things in life

There’s a new drop-in choir in Tecoma, that’s all about feeling good, celebrating resilience and being grateful for Community, our safety and the Environment. During the time when Singing Leader and Community Music Activist Barb McFarlane was planning to form Tecoma Peace Choir, Donald Trump was elected to the stage and the ensuing political pantomime has done nothing to reassure anyone about the state of the world:

“These are turbulent times and people want a bit of escape, they want to go to a zone where none of that’s even mentioned, they want to believe that all could be well because we’re singing about it being well…”

The desire underpinning and driving Barb’s vision for the Tecoma Peace Choir is to promote affirmation of the positive things in life. It’s about making the world a better place through positive celebration of self rather than singing about specific causes. To facilitate this, Barb writes simple chants to affirm the positive things in life. Singing simple and meaningful ‘mantras’ in English that give out messages of positivity:

“We had a really big storm here last year and there was a lot of damage; trees were down and the power went out, businesses flooded. While there was lots of damage and danger, I recognised that we had all the help we needed to restore power, fix roads and buildings and that people are very well looked after in situations like this in our country. In gratitude, I had one line running through my head “I am safe and I am well’ and it turned into this: ‘We are safe and well, We are warm and dry.’ “

I worked it into a boppy little 8 part ‘thing’ on garage band and taught it at choir at the next opportunity. It’s a reminder that mostly, in this lucky country, we are all fine, we’re all alive, safe and walking around, and that we could be grateful for that.

A few other chants penned by Barb are:

  • “ I’ve been forged in the fire of life and I am strong…..woah!”
  • “ Deep river of love X3 Carry me, carry me  Deep river of love”
  • “ I remember I remember I remember who I am”

Tecoma Peace Choir is inclusive of people with all abilities and highly accessible in terms of material. It operates on a drop in or ‘low commitment’ basis where people can pop along and have a sing, even if this happens only once every few weeks. As the perceived pace of our lives picks up, the model of Barb’s new choir offers people with busy lives the chance to stop everything and slow right down into a different space for a little while: “It’s inclusive of people who work really long hours, work shift work, or who just have a lot going on in their lives. It provides an opportunity to sing without any commitment or guilt!”

Each week there is toning, improv, sound baths, and percussion jamming. Songs are chosen with a focus on peace, hope, resilience, comfort and fun and Barb makes sure there is a good ‘play’ component to each session, too.  In compiling the program for a group without not knowing exactly who will be coming along, Barb draws up a Plan A and B. ‘I’ll write a song name down, add an alternative and I know at what point during the session I’ll change my mind.”

Barb is also planning to incorporate some yoga and breathing practice into the structure with a view to encouraging people to bring a pillow and a blanket as part of the process of reaching peace.

“The emphasis is on feeling good. In modern times people are so stressed and really need a space for relaxation.”

Barb has been incorporating yoga into singing sessions as she’s studying and will soon be a Dru Yoga student teacher.  There are many benefits – physical, mental and emotional from both singing and yoga and combining them works beautifully.

“I’ve been adding sounds to movement and using sound and singing as a relaxation tool for many years and that feels pretty good.”

Tecoma has a rich and very inclusive community outreach program emanating from the Tecoma Uniting Church, including a Community garden and a Food is Free initiative, where people share their garden produce or store cupboard contents. This provides a source of food for people who need it and is run along the lines of take what you want, leave what you don’t and share what you have with love.

The Hills Food Frontier, a group dedicated to promoting healthy eating and growing is also based there. Barb brings gardenny songs to some of their events and working bees and now Tecoma Peace Choir’s home is based in the Uniting Church Chapel.  “There are so many things already going on there, it’s a very happening sort of place.” All of the activities grow from the sense of sharing and connection  evident within the community made famous when it took on McDonalds, campaigning against the fast food giant and holding off the development of a restaurant in the town for three years.

Above all, Barb hopes the Peace Choir will provide ‘a bit of a service’ to people who want to sing, but can’t commit to a performance choir due to work or life.

“I imagine as things go on that I’ll see the same things happen as in other groups… watching the friendships develop is always lovely, especially for the single people who wish to be with other people in a meaningful way”

Barb also hopes to see some blokes dropping in to sing with Tecoma Peace Choir: “I would love to think that blokes feel comfortable to come and have a sing too. It’s great having the full range of human tones singing together.”

Article by Deb Carveth with Barb McFarlane.

Tecoma Peace Choir meets Tuesdays during school terms from 7 – 8.30pm at Tecoma Uniting Church,1566 Burwood Highway, Tecoma.  For information, contact Barb McFarlane: 0407 548 165

Have you heard what’s happening in Girgarre?

Girgarre is a small rural township situated in the Goulbourn Valley in Northern Victoria. Surrounded by dairy farms it’s taken a few knocks in recent years. Falling milk prices and drought have impacted the livelihoods of local farmers and in 2012, the Heinz tomato processing factory closed its doors for the last time putting 146 people out of work.

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Girgarre Town Hall

The town’s infrastructure suffered in the fall out. Local shops shut and people started moving away to find work and opportunities elsewhere. But for all the adversity they’ve faced, a big community heart continues to beat strongly in Girgarre. The monthly community music phenomenon, Jigarre Jammin’ has the moto: “Don’t die wishing you’d done it” and it seems this attitude runs deep through its streets.

Not prepared to give in to decline, the people of Girgarre took the bull by the horns and applied to Regional Arts Victoria’s Small Town Transformation initiative; an invitation to small towns across Victoria ‘to be ambitious in imagining what transformation might mean for their town – now and into the future.’

Girgarre was one of  six small towns constituting less than 6,000 people selected to receive $350,000 each over two years “for projects that realise big ideas” and puts artistic practice at the centre of community life.

The official title of the Girgarre Revival is ‘The Sound of Our Spirit Rising’ and will explore the concepts of common ground and connection to place through the medium of sound. Members of the community will work together with three internationally recognised artists to develop the project, which will run until October 2018.

In November, electronic light and sound artist Robin Fox unveiled the first in a series of temporary installations, a huge, human-activated theremin* built in Girgarre’s public reserve next to the town hall. It’s an intuitive structure, activated by the movements of up to eight bodies in the electromagnetic field around it and emitting notes, samples and tones into the air, in response.

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The Theremin by Robin Fox at its launch in Girgarre on November 12. Photo taken from Regional Arts Victoria’s gallery of the launch.

 

Local Girgarre quilters will work in collaboration with Gloria Loughman, an award winning quilter, curator and teacher to create new quilted acoustic sound curtains for the town hall, a focal point in the community and home to the monthly meeting of Jigarre Jammin’.

And for the next three months, composer and musical director Graeme Leake is taking up residency in Girgarre.  Graeme, who has been involved with numerous grass roots music making projects such as Raising the Roof,  and  The Musical Fence in Winton, Queensland, will be working with members of the community to design and build a series of permanent sound installations including an interactive sound sculpture on the boundary of the local school which will become the centrepiece of a community concert, and something everyone can come and play together.

Graeme will also be running a series of open workshops in music skills and instrument making for both Girgarre residents and visitors to the town. The plan is for the community to develop their skills and for a community orchestra to be formed, playing a series of cast off objects which have been salvaged and reinvented as musical instruments.

“All of my activities will be located in the ex-supermarket which will become a music making and playing ‘shed’.  Anyone can drop in and work on their creation, attend workshops or music skills classes, or help design and construct the school fence sound sculpture.”

If you’re reading this and thinking how cool the revival of Girgarre is already sounding, there’s a way you can be involved and support Girgarre and Graeme in their mission. The hunt is on for  ‘junk’ to transform into musical instruments for the orchestra to play. From hubcaps to tea chests, old broken instruments to broomsticks, the list is endless and can be read here together with the important details about how to unite Graeme’s trunk with your junk.

The determination of the population of Girgarre to transform the town and Graeme’s call for cast offs are great reminders that when something is broken, damaged or temporarily impaired, it doesn’t have to spell disaster or the end. A fresh way of looking at things and the ability to find positivity and new purpose in the familiar is what drives innovation and sparks creativity.

Cultivating a brighter future through the involvement of community, sound, music, and collaboration,  the rising spirit of Girgarre is a sound that’s sure to be heard and celebrated, far and wide.

*If you’re in the vicinity,  stop off at Girgarre Public Reserve on Winter Rd and have a play with the giant theremin between 10am and 5pm every day until April 2017.

Follow the transformation of Girgarre and Graeme Leake’s involvement with the project here.

The next meeting of Jigarre Jammin is on February 25th 10.30am til 4pm at Girgarre Hall, 9 Morgan Crescent, Girgarre, VIC 3624

Article by Deb Carveth, online editor for Community Music Victoria

 

 

 

 

 

 

 

 

 

Dunroamin? Just startin! A hot stepping new street band hits the streets of Dunolly

Picture the scene: a large group of leather clad bikers on a pit stop; add a healthy dose of community musicians into the mix, and what do you get? Broadway, a street through the small, regional town of Dunolly, last Saturday afternoon.

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A scene from Broadway, Dunolly

The latest addition to the CMVic StreetSounds project shook its collective feathers and stepped blinking into the light at 2pm last Saturday as the new and perfectly formed Dunolly Street Band. Emerging from the Ministry of Fun after less than two hours playing together, the fledgling band wasted no time in taking their newly learnt tunes into the street, where the bikers proved an enthusiastic audience for the horns, ukes, flute and accordion players.

Anna and Phil Ashton who organised the afternoon in collaboration with StreetSounds project manager, Lyndal Chambers, declared it it loads of fun and a total success.

“It was nicely low key and I don’t think anybody was scared!”

Anna was inspired to start a Street band in Dunolly after hearing about the opportunities offered by other bands emerging from the project, particularly the Kyneton Street Band, led by Andy Rigby, but still more than an hour’s drive from Dunolly. For Anna and Phil,

“It didn’t make sense to be part of a street band anywhere else.”

The last community brass band in the town finished up about fifteen years ago. A Ukulele group formed a couple of months ago, but for players of more honky and stronger sounding instruments, an opportunity to gather regularly has been a long time coming. Once she knew support from Lyndal Chambers and Community Music Victoria’s StreetSounds* project would support her vision of a Street Band for Dunolly, Anna felt the idea was too good to pass up and set the wheels in motion, posting publicity within the community and on Facebook. A street band is a fantastic way to bring together local people from all age groups and backgrounds, playing different types of instruments in different ways; a wonderful smorgasbord of sounds and skills.

As the promotional poster for Dunolly Street Band promised, ‘absolutely no experience needed, just come and play for fun.’

Anna admits she felt a bit nervous about numbers ahead of the gathering on Saturday. Strat (Brian Strating) and Lyndal were travelling up from Gippsland to help facilitate and Anna wanted them to have a good ole group to lead when they arrived. She needn’t have worried. Keen community musos travelled from the other side of Newstead and Bendigo to join local Dunollians, including a musician fairly new to the area which is what it’s all about, after all.  Anna knows other people are out there and keen for the band to happen, who simply couldn’t make it along last Saturday.

Following this hugely successful inaugural get together, there are plans to carry the band forwards into a bright (and brassy) future, and working together with Phil’s uke group. Anna is also hoping to encourage local school kids and their families to try it, too.

By the time the StreetSounds festival rolls around next May, it sounds like there will be a thriving Dunolly contingent out in the throng on the streets of Geelong.

And what happened to the bikers? They gave the new Dunolly Street Band an encouraging round of applause before heading off through the Central Goldfields, chasing the dissipating, freed-up notes of newly learnt tunes as they dispersed into the atmosphere.

Below is a video clip of the band in action, out on Broadway. (Thanks to band member Judy Meldrum for the footage)

Article by Deb Carveth with Anna Ashton

Join the Dunolly Street Band! The band is in the process of arranging its next rehearsal. To be a part of it, contact Anna and Phil: 0490 077 902

*StreetSounds is a major project that resulted from the Victoria Makes Music Program and started in January 2015 with the help of funding from the Helen Macpherson Smith Trust and the R E Ross Trust.  The project aims to create at least 10 new street bands in Victoria and will run until Dec 2017 – find out more about StreetSounds here.

 

 

Tides of Welcome keep on rolling: A Queenscliff community choir celebrates 13 song-filled years

Tides of Welcome Choir has been celebrating diversity and harmony through a shared passion for singing, and has just blown out the candles on its thirteenth anniversary cake. The choir comprises locals from Queenscliff on the Bellarine Peninsula in Victoria, who enjoy the experience of singing together and creating soulful harmonies under the direction of their dedicated leader, singer songwriter, Andrea Robertson.Tides of Welcome

Based in Queenscliffe Neighbourhood House, Tides of Welcome has never struggled with numbers enjoying a consistently strong turn out and cohesion from day one, back when it was lead by Sarah Carroll and known as The Ripchords.

Carolyn Williams is one of the founding members, and has been heavily involved in the development and evolution of the choir from its outset, participating in the fun stuff at the front end, and overseeing the administrative nuts and bolts behind the scenes:

“Myself and a few other people were keen to start up a choir and had been for some time but we knew we had to find the right person to lead it, somebody charismatic who would bring people along with her or him. And we found Sarah Carroll who at that stage was in the Melbourne based country band, Git, and had recently moved down to the Bellarine Peninsula. We approached her and she was very keen, so we advertised and on the first night we had about 40 people. Given that Queenscliff is a small population this was a real coup!”

So was it something in the sea air, or was there simply a gap in the singing market?

Carolyn believes it was Sarah’s reputation that drew singers in and the hard to resist attraction of what she had done previously in her own musical right. The group found a home in the senior citizens centre in Queenscliff, changed their name to Tides of Welcome Soul and Gospel Choir, and remained singing with Sarah, for the next 7 years.

One clear problem emerged extremely early on, during the group’s first year, and stemmed from an ebb and flow in the number of people attending. “At times there were 20 people who’d turn up, while on other nights there’d be 40. Sometimes there would be an entirely different group from one week to the next based on who came to sing and who stayed at home. “

This caused a few challenges around the practicality of teaching songs to a group whose dynamic would shift and change, and where people were remembering the repertoire in varying ways and to differing extents.

The choir committee decided to nip the problem in the bud by introducing termly rates, and this immediately fixed the problem. “Once people weren’t paying on a weekly basis it really sorted things out, reiterated everyone’s commitment to the group and regardless of whether you were on holiday half way through term or whatever, you were in it for the duration.”

By 2004, the choir was performance ready and scored themselves a spot at the Queenscliff music festival. Their debut turned into an annual place on the bill, and offers incentive and focus to the singers, and a shape to the year.

A strong set of values underpin the group. As an inclusive community choir, there are no auditions and everyone’s welcome. Tides of Welcome have had a range of experiences over the years including recording five CDs and the production process has been so tight that every voice counts. There are people within the choir who are happy to do solo spots while others can think of nothing worse than being out there by themselves. If a person joins the group who is less confident in their ability to hit the notes, they’ll be put alongside stronger, more confident singers until they find their groove.

So what’s the secret in the success and longevity of the choir? Carolyn believes that comes down to a combination of factors such as the willingness of individual choir members to support the group. For example, they’re fortunate to have a guy who makes time to record all the songs and put them on Soundcloud so that everyone can rehearse in between choir practise, and who has also prepared the website, a fantastic resource richly populated with photos of the group in action, songs and lyrics.

Another huge bonus is the auspicing received by Tides of Welcome from Queenscliffe Neighbourhood House. Not only does this assure them a rehearsal space, it means the administrative and financial needs of the group are all taken care of by the House; the emails which need sending around; the printing of the lyrics, any photocopying; the list of admin and back house tasks which are necessary to underpin all community music groups, are entirely taken care of. And the cherry on the cake is that Carolyn is not only a founding member of the choir, she is the Coordinator for the neighbourhood house, too.

“We have always had the wider community as our heart and the Queenscliffe Neighbourhood House as our heart beat.”

A small Tides of Welcome executive committee meets regularly to take stock, review guidelines and ensure things are on track for everyone, while the final choice about material sung by the group, is made by the leader. During their incarnation as a soul and gospel choir. Sarah Carroll sourced some amazing and rare gospel songs for the group to sing, “what she’d call white gospel from the southern states of America.” Tiffany Eckhardt who went on to direct the choir later on, wrote songs specifically for the choir which was also wonderful, and choir members are always welcome to contribute ideas for material, at any point in time.

Tides of Welcome have benefited from three sessions of professional development over the course of the past 13 years, including a ‘tune up’ from Jonathan Welch, which Carolyn feels was extremely valuable. They continue to be led by experienced leaders, rich in musical background and experienced in teaching a variety of age groups and abilities. Local musician and educator Andrea Robertson is the current director.

“Andrea is a singer songwriter based in Ocean Grove… whilst new to directing a choir like Tides of Welcome, she is an experienced singing and piano teacher and has worked with children’s choirs and church groups. We were very fortunate to have Andrea join us. She’s embraced the role of Director and continues to teach and inspire us to create our soulful sound layered with rich harmonies. She’s also expanded our repertoire to include many songs that she has written specifically for us.”

Thirteen years constitutes many, many weeks of singing together and a handful of the original singers involved since the start are still coming back for more.

While people come and go, for Carolyn, it’s the camaraderie of being in a group and just the fun of singing together that keeps her engaged.

“There is something undeniably powerful about the experience of singing together where the feelings of warmth, joy and harmony are enjoyed and shared…people will often say “I’ve had a really hard day and I didn’t want to come tonight but I forced myself and I feel so much better.”

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The 3 founding members still involved with the choir: Janelle Jenkins cutting the birthday cake, next to Jacinta Farrugia and Carolyn Williams, standing.

By Deb Carveth, online editor for Community Music Victoria, with Carolyn Williams.

Join Tides of Welcome in concert to celebrate their 13 year anniversary on Wednesday September 14th,from 7.30pm at the Uniting Church in Queenscliff or join them at 6pm for a community meal (by donation). For tickets and further information, click here.

Sharing more than song: Singing life back into an old, old concept with a brand new barter choir.

‘If I can reduce my living expenses significantly that’s as good as making money.’ says Werribee singing leader, Steph Payne, who recently established ReciproVocal, a Barter Choir where instead of paying a termly fee to join, participants are invited to share and exchange skills and trades and even sing for their supper. (Steph dreams of dentists, desperate to sing, and who wouldn’t?)

At ReciproVocal, your money won’t get you anywhere! Steph’s vision is for the group to experience not only the bond of solidarity and support for each other common between members in community singing and music groups, but to educate themselves in ways of bartering and skills exchange that will extend out to enrich and sustain the wider community in unforeseen ways.

The idea for ReciproVocal germinated from a seed sewn at an inspirational workshop run by community facilitator, Debby Maziarz, at the Wyndam Arts Incubator, in Werribee. The workshop focussed on bartering and the establishment of mutually beneficial connections between artists and businesses, an idea that resonated heavily with Steph, inspiring a steep and positive learning curve. While she is in no doubt about the sense in trying this ‘revolutionary-retro’ approach, Steph acknowledges that she, herself, had to learn a lot of lessons in the lead up to the launch of the singing group, and that other people may also need time to come around to the concept:

 “There needs to be a huge amount of education around bartering and trading. People can’t see how bartering fits into their world because they’re used to a money based currency.”

Steph has also noticed that even amongst her existing  network of singers and ukulele players all keen to continue working with her, there is often the initial response of ‘but I don’t have anything to trade.’

“But they do! We are all so used to being valued monetarily and comparing ourselves based on what we have. People just don’t realise they have loads of things to trade and that you’ve got to look at it more creatively.”

To encourage new participants to dip a toe in the ReciproVocal waters, Steph is willing to accept money from her singers to begin with, gradually introducing the barter model as the group grows and develops its collective understanding of a non-monetary based currency.

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Steph leading Williamstown based singing group, Willin Wimmin

“We’re all fixated by the concept of money. On the one hand it’s a leveller because everything has a monetary value, it’s very open and clear and you can see what you’re buying into. But on a whole lot of other levels it’s incredibly unfair and messed up. Money’s convenient, but it’s a real trap and it only gives things one value, when certain things hold much more.”

A significant piece of the sociological scaffolding required to support the bartering model, is trust. Trust in the validity of the concept by the participants is crucial, and belief by Steph that the services and goods offered will be forthcoming in the way they are promised is important too. A clear, shared understanding of the need for mutual boundaries between the definitions of professional and personal space between members of the group is equally important. This line in the sand is necessary for the sake of all participants because the variety of tendered tasks require varying degrees of access to areas of each other’s lives.

And while response to the idea of ReciproVocal has been hugely positive Steph believes it will be a slow burn to reach a sustainable level of interest, and is prepared for this to take time.  She’s excited by an awareness that the more people she can engage and educate about bartering, the more likely it is that there really can be a functioning level of trading going on, with the possibility of a real alternative economy starting in Werribee.

To help people get their head around the type of things they can bring to the table, there’s an area on the ReciproVocal website which offers examples of what 8 weeks in a choir is worth. Steph has supplied this as a guide to allow people to work out for themselves the equivalent ‘value’ of what they might like to offer.

Again, a sliding scale of value applies because the value is not just monetary. It’s not as simple as being a term’s worth of singing valued at $150. Singers might offer a service which will save Steph time, or produce something she needs or simply just wants, or be able to arrange a lead into further work for her. The option of third party trade also exists. For example, you may not be willing to mow Steph’s lawn but you might know somebody who is for whom you can babysit, who will then mow the lawn and the chain of exchange grows longer and more embedded.

Steph is always looking to enrich and develop communities through the groups that she runs. It’s a strong part of what drives her. In the past she’s run a singing group in a pub because of the immediate social set up, and she’s hopeful that Reciprivocal will grow to enrich the community in a myriad of ways. Her hope is that once people are engaged in the trading and bartering concept, they will extend those terms and values of collaborative, sustainable living to each other, and eventually to people and life situations beyond the singing group:

“There’s a great level of satisfaction in getting your needs met in a way that’s not financial. As a person with something to offer, as a product as a service, any of us have a choice in how we exchange that. We have our needs, we have our resources, it’s about how to match those two things up. “

Article by Deb Carveth, online editor for Community Music Victoria, in collaboration with Steph Payne.

RECIPROVOCAL SEEKS SINGERS!! Open to adults of any age and experience. Rehearsals are Thursdays 7-8.30pm 8 weeks per term. Starting July 28, 2016-08-04  Venue: Wyndham Arts Incubator, Old Shire Offices, Room 4, Cnr Watton St & Duncans Rd, Werribee.VIC 3030 www.reciprovocal.com.au  www.facebook.com/reciprovocal  Email: unstrungmusic@gmail.com

 

 

Sharing Jewish Songs at the Community Music Victoria Music Camp

I recently attended the 2016 CMVic Music Camp at Grantville Lodge. I had never attended a CMVic event before and was somewhat trepidatious. I do not play a musical instrument myself, but I do sing in a choir, and I love singing, so was keen to take part in the singing workshops during the weekend in particular.

On the Sunday morning I took part in the Sharing Jewish Songs Workshop. From the minute our facilitator Sarah started talking to us about Jewish and Yiddish Music, about how (according to the strict Jewish faith) women are not really supposed to sing the songs we were about to learn, and about how we were about to make a song together consisting of only “ay di-di dies” I think we were all hooked. Sarah herself had the most beautiful singing voice, and encouraged us to “put the cry in our voice” in the way that she had been. It worked, we sounded good!

Within what seemed only a few minutes we had all engaged in a very emotional moment together, singing what sounded like a heart-breaking song that lifted all of our souls.

I know that may sound extreme, but that is how it felt at the time. We must have done something right, as Sarah herself had to wipe away a tear and told us we sounded beautiful when we had finished.

Sarah then went on to teach us two other Jewish songs, this time with lyrics, which she explained to us from a Jewish perspective, with an enjoyable sprinkling of humour thrown in. Again, the group very quickly seemed to be able to pick up the nuances and tunes of the songs, and before we knew it we were all singing in a circle, with our eyes shut, and “putting the cry in our voice” in a way we never knew we had in us. This was aided by Sarah’s youngest daughter who had joined us (who I’d had fun learning to play the marimba with the day before), adding the little harmony lines to accompany the songs. We then learned those too.

I enjoyed my whole weekend at Grantville, but this workshop was the one I didn’t want to end. I don’t think I was alone. I had a sneaky suspicion beforehand that I was going to love this workshop, but I had no idea how much.

I have just returned to England where I live and am now thinking about looking into if there is a local Jewish singing group in my area. I never saw that coming. I think Community Music Victoria’s weekend hit the mark in ways I never expected.

By Sarah Jackson

Listen to a recording of the beautiful song Adio Querida from Sarah’s session, here.

 

 

 

Basking in the freewheelin’ warmth of the Sunshine Street Band

The last rays of a Tuesday evening sun can often be glimpsed glinting off the brass horns,  drums and other instruments of the Sunshine Street Band by the runners and dog walkers soaking up day’s end on Albion’s oval.

Every second week, the band throw open the doors of Albion Community House to allow strains of ska, jazz, whatever they’re currently playing to escape into the evening air and across this little patch of Melbourne’s West.

Peter Hinton, band founder and self professed freewheeling trombone player, sees the Sunshine Band as a ‘perfect gateway into playing in a group where different instruments are represented.’ Players of any acoustic instrument are welcome, with age and a lack of experience no barriers to joining. Some people follow dots, others play by ear.

As one of the inaugural bands in the StreetSounds project run by Community Music Victoria, the Sunshine Street Band is a real collective and has evolved to run as a collaborative model after a large dose of input, encouragement and mentoring in the early stages, from Lyndal Chambers, guest tutor Robert Jackson, Brian Strating and Katie Rose Fowler, who still plays with the band.

Peter considers the band an effective way to combat social isolation and improve connectedness between like minded people living in and around Sunshine: ‘It’s a very healthy thing to have a connection with your community..’

Hinton was the catalyst in getting the band started because he was keen to find somewhere for himself and his family – specifically his teenage daughter, to play music together with others and because there was ‘genuinely nothing else like that around where you could play music for the joy of it, where auditions and an expected level of experience didn’t apply..’

With some musical experience playing guitar with friends who then moved across town, Peter was keen for himself and his daughter to have the freedom to try new instruments and keep music going as an ‘outside of school type of thing’.  After a spot of googling, and deciding that a local community band open to beginners would be the most rewarding thing to be part of, Peter discovered Community Music Victoria and picked up the phone.

His timing was perfect. Funding for StreetSounds had just been granted by the Helen MacPherson Smith Trust and the RE Ross Trust, and Lyndal Chambers was in place as project manager. Peter’s passion and palpable conviction of the need for a community band in Sunshine were the perfect sparks to ignite the project, and the Sunshine Street band, and the project, were launched.

 ‘Without Lyndal, this wouldn’t have started… she had all the contacts… Together with Strat she helped set the culture in the first couple of sessions .. they made it clear that you don’t have to be professional to be in a band, there were no wrong notes! It was all motivation and encouragement. And she found us the room too. (thanks to Brimbank Council).’

The band is evolving into a real collective in the way they choose what to play and the way they play it. ‘Katie knows which instruments play in which key which has really helped cos you need somebody like that… and we’ve found there are heaps of good reasons for all sharing the leader role, everyone has a say and when they have a say they feel more involved and connected. It also feels more sustainable and means that all the pressure isn’t just on one person.’

Pic for SSB BLog
Sunshine Street Band skills being put into practice at CMVic’s 2015 Music Camp

As the numbers increase, Peter says people are being drawn to the community vibe of the band. ‘There are some strong players coming in now from Sunshine West way, and you can tell from the way they play they like their music.’

As a band open to players of all abilities and musical tastes, Peter believes the key to participants getting the most enjoyment out of belonging to the Sunshine Street Band is to be open to trying different styles of music, be supportive of each other and ‘don’t expect too much, too fast… you have to make the commitment.’

From a personal perspective, Peter says that ‘being in the band and playing a brass instrument has opened up a new world for me… I’ve never done something like this before… It’s loosened up some inhibitions in me, you can feel constrained trying to play by the book and I was feeling musically detached, playing a bit of guitar but not socially, so being in the band is really important.’

The door to the Albion Community Centre is open for the duration of the band’s rehearsals every second Tuesday, and newcomers from absolute beginners to experienced players are always welcome: Drop in and try it out!

The Sunshine Street Band: Meets fortnightly at Albion Community House, 61a Selwyn St, Albion, VIC 3020 For dates and further information, go to www.cmvic.org.au

Article by Deb Carveth with Peter Hinton; feature photograph courtesy of Angela Casella

 

 

 

 

 

 

 

 

 

 

 

A conversation about leading singers with ASD

This post is not written from a professional perspective. It is the shared experiences of Liz, a mother who is also a singing leader, who has a son with ASD and who was generous enough to share her observations and knowledge.

Autism spectrum disorder,  (ASD) is the term used to describe a group of disorders in brain development that includes autism, Asperger’s syndrome and pervasive developmental disorder (also known as atypical autism).  The word ‘spectrum’ is used to reflect the range and varying degrees in the severity levels of symptoms found in individuals with ASD. These typically present as difficulties in social interaction, verbal and nonverbal communication, and repetitive behaviours, to varying degrees. Autism is the most commonly occurring form of ASD.

Any group of people coming together for an activity will comprise a glorious melting pot of personalities, stories, challenges and needs, many of which are neither visible nor immediately apparent at first glance.

Many of the tips and strategies outlined below are unlikely to be entirely new to many experienced leaders,  but it’s always good to be reminded of them.

Liz feels “we don’t need to ‘specialise’ or become experts to lead a positive singing experience for someone with ASD.” To varying degrees with autism, sensitivities are more magnified and social behaviour that is unconsciously expected in our society does not come naturally.

One of the great things that I have learnt from my experience with my son is to look more closely at each individual’s perspective and story, rather than the more collective, often unquestioned, expectations of our society.”

However, there are many practical approaches you can easily incorporate into your practice as a music group leader that will help increase the pleasure of participation for a person with ASD, and put everyone at ease within the group, too.

For Liz, whose son has high functioning Asperger’s, the initial challenge in encouraging him to sing was to find a group open to all ages that welcomed the two of them at a time of the day suitable for them both. This pursuit led to Liz hearing about Community Music Victoria and attending a Gippsland Singers Network weekend at Wilson’s Prom. It was there she was first introduced to the fully inclusive concept of Vocal Nosh. It felt a perfect fit for both Liz and her son. That weekend, as always, the Vocal Nosh model was open, it was relaxed and there were no rules to be followed or broken. This created an immediate sense of ease, and if Liz’s son didn’t want to sing a particular song then he could opt out, and join back in for the next one.

“It’s awesome to be able to provide an activity that reduces the anxiety of restriction that is common with the experience of living on the spectrum.

My son enjoys a Vocal Nosh because he doesn’t have to stand anywhere in particular, he is singing with me and I’m having fun and is relaxed and so he reflects this.”

Full of inspiration, Liz returned home and decided to set up a singing group of her own, run along the lines of a Vocal Nosh and open to singers of all ages and abilities, with support from CMVic mentors and catalysts Margaret Crichton and Kass Mulvany.

As well as Liz’s son, a second young person with ASD joined the group. Liz found that having a relaxed approach was key, and also that it was essential not to take offence if somebody turned around and said ‘I don’t like that song’.

Emotion recognition needs to be learnt by a person with ASD. ASD causes difficulty in decoding nuances or facial expressions and the unspoken rules in life – of which there are so many – don’t apply to somebody with ASD in the same way. This can make others around them feel ill at ease if something is said in an overly blunt way, something which can be challenging in a group context.

Liz recommends ‘Don’t be offended by pickiness or bluntness. Keep an open mind and continue to learn about the human condition. Lead by example to the rest of the group by reacting to any bluntness directed your way with a relaxed attitude, and go with the flow.

For example, some people may find it uncomfortable if the unspoken gets said. A person might say they are bored or that a particular song is boring, causing other people to feel horrified that this sentiment was verbalised.  And then there’s that awkward silence that ensues…

Liz also recommends that singing leaders take particular care to be clear with their instructions and their signals when teaching a song.

“Sometimes these won’t be understood by a person with ASD, so explain first what your hand signals mean.”

Many people with ASD will find socialising an anxiety provoking activity because of the literalness with which they interpret situations and coding around them. A wink for example, doesn’t convey a double meaning or cheeky intent, it means ‘that person has something in their eye.’

This heightened sense of anxiety should always be considered and Liz also recommends that changes to a routine are best avoided or made slowly when considering the needs of someone with ASD. For this reason, it is important to say to everyone ‘you are so welcome here’ and emphasise the point that they can do whatever they need to, in order to be comfortable.

“I tell them, if you want to sit down, that’s fine..sit down and sing if it works.”

Once a person with ASD feels familiar with a setting and with other members of the group, everything is usually fine.

One conversation Liz always avoids is the one which starts, “this is so and so and they have autism… you just can’t do that.“  Instead, an exercise she feels may help leaders before a session, is to think up some positive ways to respond to some of the typical situations that may arise.

 “Let’s face it, life’s amazing and wonderful tapestry of personalities can bring challenges in facilitating any singing/music group, so this will not be a new strategy.”

Liz’s son gets a lot of comfort from music and a lot of fun too. Liz believes that getting autistic kids involved in music from an early age trains their brains to react to dopamine in a positive way, boosting their mood and sense of worth, as it does for us all. For adults with ASD who enjoy participatory music making, it can be particularly beneficial. Belonging to a singing group can help prevent any feelings of social isolation which may occur as the result of difficulty in easily maintaining stable social connections.

“If you meet the brain’s demands for dopamine with a healthy thing, then you don’t need to meet that demand with an unhealthy thing… Let’s get the whole world singing.”

Advice for group leaders working with people with ASD, based on Liz’s experience and observations:

  • Be clear with your directions
  • Be welcoming
  • Be sensitive to whether somebody has struggled to be present in the group on that day and whether they’re feeling uncomfortable or awkward
  • Tread carefully with body contact in warm ups or particular songs, depending on the person
  • Be prepared for bluntness and don’t be offended by it, and absorb it on behalf of the other group members
  • If you’re going to change something in the process or course of the group, explain those changes clearly and give advance warning that the changes will happen, where possible the week before. Send a message to the person it will affect most, ahead of time
  • Be aware that for some people with ASD, participation in your group may be their only experience of trying something social and you want it to be positive!
  • And finally, expect the unexpected.

For further information and to access advice about Autism Spectrum Disorder, visit AMAZE: www.amaze.org.au 

1: Australian Psychology Society: Understanding and managing Autism Spectrum Disorder

2: Autism Speaks: What is autism?

Article written by Deb Carveth with Liz  for Community Music Victoria

 

Chocolate Lilies sing out and celebrate!

The Chocolate Lily is a hardy plant well suited to group plantings with a coping mechanism for surviving all weather conditions. Not dissimilar then, to Nerida Kirov’s community singing group of the same name which has just won an Australia Day award.

The award for Community Group of the year was given in recognition of the contribution made by the Chocolate Lilies to the fabric of the Nillumbik community for their  ‘can do attitude,  pitching in and sharing their talents freely to contribute to their community, as well as their work in helping hundreds of singers gain confidence, a sense of community and have fun.’

Nerida described the news they had won as ‘rather humbling and wonderful’…

‘it was a huge surprise and we are so grateful and blown out by the nomination.’

The Chocolate Lilies, led by Nerida from day one, has been empowering people from the area to come together and sing since its inception in 1993.

Over the past 22 years, a phenomenal bond has developed between members of the group. They have sung together In celebration and shared tears with each other through the tough times, The fires of 2009 caused devastation and loss to many and from within the Chocolate Lilies alone, people lost friends; people lost homes and partners.

Throughout that period, the Chocolate Lilies continued to reach out to those suffering grief and loss and to meet and sing, not only in Hurstbridge and Warrandyte but in Strathewen where 15% of the community perished.

Talk was not necessary; singing together was primal and healing and offered an escape from the terror and grief of the fires.

Immersing themselves in beautiful songs and being bathed in beautiful sound was a form of recovery, and singers, old and new to the group forged a deep sense of connection through their support for each other. It’s now seven years later and many of the people who were inspired to sing with the Chocolate Lilies at that time have stayed on.

With between sixty and seventy regular singers, the group is based across two venues, Allwood Neighbourhood house in Hurstbridge and Warrandyte Mechanics Institute & Arts Association, with everybody coming together for voluntary performances within the community, as many as twenty times a year. A dozen or so of the original members remain from 1993, and the group now feels like a family from which other networks have emerged and grown.

Nerida Kirov believes that when leading a community group it is vital to be instinctual in the way you approach things where people’s emotions are invested, and involved.

‘You cannot be contrived, be empathic with people (who have experienced trauma). It is very important to be sensitive and aware of the dynamics.’

There is a strong social conscience within the group, and as well as attending and performing at community events, many members of the choir frequently go on marches to demonstrate their opinions. The poignancy of the awards being tied in with Australia Day which is also seen as Invasion Day is not lost on Nerida.

‘Aboriginal Elders had a significant presence at the Awards Ceremony and spoke about the history of the day from their perspective. They spoke of the wonderful diverse Australia that we are working towards and the struggle we have been through to get here, and how it is insulting and disrespectful to tie that recognition to the day that began the wipe out of our indigenous people.’

Nerida feels while it is important to acknowledge and celebrate all the great things happening in our communities that possibly, this could happen on a different day.

Australia DayMany of the songs sung by the Chocolate Lilies have a political angle or issue at the heart of them, and the group also sings original material written by Nerida. One of her songs, ‘Sleepless’ was published in CMVic songbook, Short Stuff. This song was then seen by a Canadian woman who decided to get in touch with Nerida after identifying, bleary eyed, with the words of her song.

A connection was established and the Chocolate Lilies now include material written by that person in their repertoire. Material sent from one singing leader to another, in a song swap across the seas. Which pretty much sums it all up: Singing is a fantastic way to connect!

It provides us with the encouragement we need to reach out and connect, and to remind ourselves of the rich and diverse ways we can each contribute to our society. It brings together people of all ages and from all backgrounds, and it is fabulous that Nillumbik recognises the positive values and impact of the Chocolate Lilies on connectedness, health and well being, within its community.

So congratulations  Nerida Kirov and the Chocolate Lilies! And while we’re at it, congratulations to singing leaders and their groups everywhere, for enriching life, for promoting positive ageing, for providing the perfect stress outlet and moral support through the trials and tribulations of life. And if Nerida has one piece of advice to share?

“Integrity. Love what you’re doing. It’s the bottom line. Pass on the joy of what you do to the people around you.”

For more information about the Chocolate Lilies, contact Nerida Kirov: neridakirov@gmail.com

Article written by Deb Carveth with Nerida Kirov