In recent days the media has been full of news of the sad loss of Richard Gill – conductor, teacher, composer, and powerful advocate for school and community music. Many will remember him as the somewhat eccentric man with a shock of white hair representing classical music on “Spicks and Specks”.
He passionately believed that every child deserves music, and that SINGING should be the basis of all music experience from an early age.
I have been personally fortunate to be a student, then a teaching colleague, and a friend of Richard Gill since the age of 15, when as a country girl I went to a NSW state music camp and played the violin under his baton in a full symphony orchestra.
At that stage I had never even seen a French horn, or an oboe, and the experience of sitting in the heart of 60 musicians playing Beethoven’s 7th Symphony, in a tent, in the rain, with flutes behind and violas to the side, was an early inspiration. “Cellos, can you SOB a little more?” said Richard Gill. I melted with adolescent musical emotion!
So many people have an anecdote about Richard Gill.
“He remembered my name when I ran into him, 35 years after I left school.”
“He got me to sing an improvised melody in Solfege over a ground bass in a workshop – and surprisingly, I could do it.”
“At music camp in 1967 he played the piano for an evening Barn Dance in the style of Chopin, then Buddy Holly, then Souza.”
“At a teacher workshop we did one round of saying our names, and he remembered all of the 40!”
“At a choral rehearsal, we sang a 4 part, 20 page Kyrie, and at the end he said ‘Tenors, your E at Bar 68 was a little flat.’ ”
At workshops and conferences for teachers, he made each of us feel that what we were doing was important. “You are the salt of the earth,” he said.
Kim Williams, a close friend of Richard Gill’s for over 5 decades, says: “Richard was a remarkable person – a true citizen of music, warm, generous, passionate, talented, kind, thoughtful and loyal. His legacy is rich and deep – I intend to ensure the essence of it is embraced on a continuing basis.”
Richard Kefford AM, the Chair of the Australian Romantic & Classical Orchestra – which Gill co-founded in 2013, and which has been his deeply-felt passion in recent years – says: “Richard Gill will be remembered as a giant in Australian music, an iconic conductor, teacher and passionate campaigner for music education. His death is a massive loss to Australian music and to the countless colleagues, students, friends and audience members who loved him so much. . . We are truly moved by Richard’s request that the Richard Gill Memorial Fund be established. . .so that we may keep the flame of his remarkable legacy alight.”
Richard Gill was an outspoken promoter of music for every Australian, through music in schools and in the community, as well as in concert halls and opera houses.
He was a passionate supporter of music at every level, equally at home sitting on the floor with 3 year olds, leading a Flash Mob of 500 singers with “When I’m 64”, rehearsing a Mozart opera, or conducting a symphony orchestra in a concert hall.
His inspiration lives on in many of us as we work in music and spread the enthusiasm that he encouraged in many thousands of people of all ages.
Heather was a Community Music Victoria Board member for 9 years, at the end of a career of teaching music – in primary schools, to young children, and to people of all ages in community sessions. Her special passion has been home made marimbas (Jon Madin style) and in retirement on the NSW mid north coast she can’t resist volunteering in primary schools and introducing older adults (aged 65-85) to music-making through U3A sessions.
Richard Gill’s TedEx talk on the importance of a child’s music education can be seen here.
Image of Richard Gill sourced from Arts Review