It is something of an understatement to say that recent months have transformed our modes of assembly. COVID-19 has forced us to rethink and regroup how we gather, and the extraordinary proliferation of musical and other creative activity that we have seen on our screens and been part of since March is testament to how important the experience of assembly is to our spirit, our sense of community, and our intellectual nourishment. The pivot to online gatherings has seen many artistic plans and projects fall by the wayside in 2020 and perhaps beyond, and many of us are grieving these “untold losses” of art and artists and creative experiences that might have been. https://parliamentofdreams.com/2020/06/21/untold-losses/
But some forms of gathering were surely due a shake-up. If there are silver linings to the pandemic, one is that it has forced many customary ways of gathering to be questioned and re-conceived. Conferences are surely among these. They are important spaces for disseminating research and connecting with colleagues, but they are expensive to attend (especially if you don’t have the financial support of an institutional employer behind you) and environmentally damaging when you think of all those delegates flying from their home countries to gather on the other side of the world.
So for me and my colleagues on the Community Music Activity Commission of the International Society of Music Education (ISME), the ‘new normal’ of social distancing and staying close to home represented an opportunity to try an alternative platform for sharing community music workshops, ideas, and the latest research. Our biennial international seminar was originally scheduled for July 2020 in Helsinki, but that got cancelled back in April. We decided to offer our delegates an online alternative.
A challenge was when the gathering should take place. With our team of commissioners spread across New Zealand, Canada, USA, UK, Ireland, and Australia, we already knew there was no ideal timeslot for meeting. Therefore, we steered away from running the conference over the usual ‘3-consecutive-days’ timeframe (which timezone would we privilege?). Instead, we are presenting five weekly Assemblies, each scheduled to accommodate two of the three main timezones (Europe, Americas, and Asia-Pacific). Of course, anyone can attend an Assembly, but the two that are timed to suit Asia-Pacific participants will be during the day or early evening, rather than the middle of the night. Assembly 3 (Wednesday 8 July, 10am) and Assembly Five (Tuesday 21 July, 6pm) are the ones for Asia-Pacific people to mark in our diaries for synchronous participation!
Each Assembly will have a number of parallel sessions (short spoken presentations in some rooms, workshops in others), as well as roundtable discussions and opening and closing plenaries. Posters will also be presented in two of the Assemblies. The content will be pre-recorded but the discussions with presenters will be live. And every Assembly will be recorded and available for viewing later on the CMA Youtube channel.
ISME has waved the usual membership requirement to participate, so the Assemblies are free and open access. All you need to do is register (go here: https://www.isme-commissions.org/cma.html) and you will receive a link to a zoom meeting on the ISME platform. The schedules and other details can be found at the same website.
The conference theme is #theyareus: Conversations of Inclusion, Disruption, and Connection. We warmly welcome CMVic members and all community music leaders and enthusiasts to join us for these conversations. Given that the next ISME conference and Community Music Commission seminar will be held in Australia in 2022, pandemic permitting, this is a chance for Australia’s community musicians to see what the CMA has to offer you and your practice without having to get on an airplane.
Assembly 1 – 23 June (24th June at 4am for Australians)
Assembly 2 – 30 June (1st July at 4am for Australians)
Assembly 3 – 7 July (8 July at 10am for Australians)
Assembly 4 – 14 July (15 July at 4am for Australians)
Assembly 5 – 21 July, 6pm
By Dr Gillian Howell – University of Melbourne, and Commissioner for Community Music Activity Commission in the International Society for Music Education
Feature photo supplied